地理科学 ›› 2002, Vol. 22 ›› Issue (6): 757-762.doi: 10.13249/j.cnki.sgs.2002.06.757

• 研究报道 • 上一篇    下一篇

书法景观的文化地理浅释

吴慧平, 司徒尚纪   

  1. 中山大学城市与区域研究中心, 广东 广州 510275
  • 收稿日期:2001-11-04 修回日期:2001-12-26 出版日期:2002-11-20 发布日期:2002-11-20

The Interpretation of Calligraphy Landscape in Cultural Geography

WU Hui-Ping, SITU Shang-Ji   

  1. Center for Urban and Regional Studies, Zhongshan University, Guangzhou, Guangdong 510275
  • Received:2001-11-04 Revised:2001-12-26 Online:2002-11-20 Published:2002-11-20

摘要: 书法地理学作为一门新兴的文化地理学的分支,它的基本理论研究对象之一便是书法景观。从文化地理学的角度出发,探讨了书法景观的概念,书法景观的分类。指出其构成除了自然因素以外,还应包括人文景观中的可视性因素、可悟性因素和氛围。书法景观是自然景观人文景观的统一体。

Abstract: A new branch of cultural geography, calligraphy geography is a new science which studies the possible phenomena related with geography and calligraphy on the surface. Generally, there is much identifiable subject matter that belongs to calligraphy geography, in which calligraphy landscape is one of the most important landscapes. The paper discusses the definition of calligraphy landscape, which refers to a special cultural form on the surface due to the interaction between the calligraphy and geography that is created by calligraphic action. At this point an attempt can be made to classify calligraphy landscapes. It is a complex of natural and human landscapes, which is consisted of the seeable element, perceptible element and atmosphere in it. In this point, the seeable element refers to those materials being seen such as colors and shapes, for example, calligraphy stele, stone tablets, couplets written etc., they can be touched while we appreciate the calligraphy art. Perceptible element refers to those non-materials that can't be touched such as the ideology, custom, morality etc, it is also called "atmosphere".

中图分类号: 

  • K901