地理科学 ›› 2016, Vol. 36 ›› Issue (6): 871-878.doi: 10.13249/j.cnki.sgs.2016.06.009
收稿日期:
2015-03-02
修回日期:
2015-10-25
出版日期:
2016-10-20
发布日期:
2016-10-20
作者简介:
作者简介:刘晨(1990- ), 女, 江西宜春人, 博士, 研究方向为社会文化地理与消费地理。E-mail:
基金资助:
Received:
2015-03-02
Revised:
2015-10-25
Online:
2016-10-20
Published:
2016-10-20
Supported by:
摘要:
将广州的音乐现场看作一个承载制造“噪音”的场所,以6个现场音乐酒吧为具体案例,通过定性分析的方法探讨音乐现场如何连结不同人和不同的地方,以及如何被建构成一个“动态”的空间和“越轨”的地方。研究结果表明:音乐现场作为一种动态的物质文化空间,由经营者、组织者、音乐人和乐迷通过社会实践共同建构而成,成为所有音乐演出参与者之间的关系及其与不同地理尺度之间关系的节点;音乐现场作为一个“越轨”的地方,将音乐现场的“局内人”和“局外人”区分。上述结论回应和丰富了现有音乐地理研究的内容和成果,并对中国超越“看的方式”进行文化地理研究提供了新的切入点。
中图分类号:
刘晨, 蔡晓梅. “噪”起来:广州音乐现场的文化地理研究[J]. 地理科学, 2016, 36(6): 871-878.
Chen Liu, Xiaomei Cai. Noise Up! A Cultural Geographical Analysis of Live Music in Guangzhou[J]. SCIENTIA GEOGRAPHICA SINICA, 2016, 36(6): 871-878.
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