地理科学 ›› 2022, Vol. 42 ›› Issue (5): 907-917.doi: 10.13249/j.cnki.sgs.2022.05.016

• 青藏高原环境变化与人类活动专栏 • 上一篇    下一篇

越南阮朝顺化皇城嵌瓷装饰景观特征及影响机理分析

吴潼1(), 詹嘉2,*(), 郭雅坤1   

  1. 1.景德镇陶瓷大学设计艺术学院,江西 景德镇 333403
    2.景德镇陶瓷大学艺术文博学院,江西 景德镇 333403
  • 收稿日期:2021-05-07 修回日期:2022-02-13 出版日期:2022-05-10 发布日期:2022-07-11
  • 通讯作者: 詹嘉 E-mail:80442750@qq.com;zhanjiajxjdz@126.com
  • 作者简介:吴潼(1989–),男,黑龙江鸡西人,博士研究生,主要从事设计艺术历史及理论研究。E-mail:80442750@qq.com
  • 基金资助:
    国家社会科学基金项目(16BZS020)(16BZS020);江西省高校人文社会科学重点研究基地项目(JD17087);江西省青年马克思主义者理论研究创新工程项目资助(19QM61)

Landscape Features and Influence Mechanism of Inlaid Porcelain Decoration in Hue Imperial City of Nguyen Dynasty in Vietnam

Wu Tong1(), Zhan Jia2,*(), Guo Yakun1   

  1. 1. School of Design and Art, Jingdezhen Ceramic University, Jingdezhen 333403, Jiangxi, China
    2. School of Art and Archaeology, Jingdezhen Ceramic University, Jingdezhen 333403, Jiangxi , China
  • Received:2021-05-07 Revised:2022-02-13 Online:2022-05-10 Published:2022-07-11
  • Contact: Zhan Jia E-mail:80442750@qq.com;zhanjiajxjdz@126.com
  • Supported by:
    National Social Science Foundation of China(16BZS020);Key Research Base Project of Humanities and Social Sciences in Jiangxi Universities(JD17087);Research and Innovation Project of Young Marxists in Jiangxi(19QM61)

摘要:

采用实地考查、信息采集、测绘数据、文献整理等研究方法,以越南阮朝顺化皇城修复的主要宫殿为例,从文化地理学和设计学的角度提取识别越南顺化皇城空间格局、装饰题材、色彩配置的景观特征,揭示其与中国岭南嵌瓷装饰的内在关系及影响机理。结果表明:顺化皇城嵌瓷在岭南建筑装饰中融入本土文化,之所以形成越南官署嵌瓷样式,是因为相似的自然地理环境、中国建筑陶瓷的区际辐射和阮朝统治阶层的青睐等因素共同作用的结果,嵌瓷装饰的文化表征集巧丽繁缛于一体的,彰显出宗法礼教与国家意志的皇权空间特质,成为东南亚王宫建筑景观的典范。为推进“一带一路”的建设,活化中外文明交流互鉴的文化遗产提供参考。

关键词: 越南顺化皇城, 嵌瓷装饰, 岭南地区, 文化景观

Abstract:

This article adopts the research methods of on-the-spot investigation, information collection, surveying and mapping data, document sorting, etc., taking the main palace restored in the imperial city of Hue in Vietnam Nguyen Dynasty as an example. From the perspectives of cultural geography and design to extract and identify the spatial pattern, decorative themes, color configuration, it reveals its internal relationship and influence mechanism with Chinese Lingnan inlaid porcelain decoration. The results show that the inlaid porcelain in the imperial city of Hue is integrated into the local culture in the architectural decoration of Lingnan, and the reason why the Vietnamese official inlaid porcelain style is formed is the collaborative efforts of similar natural geographical environment, the interregional radiation of Chinese architectural ceramics and the favor of the ruling class of the Nguyen Dynasty, the cultural representation of the inlaid porcelain decoration is a combination of ingeniousness, beauty and complexity, showing the imperial power space characteristics of the patriarchal rites and the will of the country, and has become a model of the architectural landscape of the royal palaces in Southeast Asia. This article provides a reference for promoting the construction of the "Belt and Road" Initiative and activating the cultural heritage of exchanges and mutual learning between Chinese and foreign civilizations.

Key words: Imperial City of Hue, Vietnam, inlaid porcelain decoration, Lingnan area, cultural landscape

中图分类号: 

  • K901.6